|
Writing and Speaking
|
The Dale Carnegie Course
The first night Mr. Ray Rayburn introduced himself and impressed the thirty or so men and women enrolled in the class by memorizing all of our names and something about each and every one of us. Mary Foster, a poet, wrote a poem that included a line about each of the class members.
|
|
Writing 101: Setting And Characters - Who Did That Where?
In novels, both characterization and setting are extremely important. These items are often treated separately by those who like to tell us how we should write. However, the characters must fit into the setting in one of two ways: The character was born and raised in the setting or the character was imported into the setting (by the writer).
|
|
Interview Techniques
Success in Interview can be positively and relatively secured by clearly understanding its technique correctly following the procedures, grasping its rationals and mastering its secrets.
|
|
Humanity
It's hard to define the word Humanity or kindness but it has a great meaning. We come across it in our every day to day life. It sometimes happen that we come across a incident and it touches us and remains fresh in our memory lifelong.
|
|
Writing Book Proposals That Publishers Read
You’ll find lots of books on the bookstore shelf about how to write book proposals for traditional publishers. But what advice would those editors give about writing a winning book proposal?
|
|
188 Stage Hero's Journey (Monomyth): Deception, Loneliness and Alienation
Where the hero achieves synergy, loyalty and the conquest of challenges, the opposite is true for the antihero. His fate is deception, loneliness and alienation, In Scarface (1983), Manny begins to deceive Tony (he's seeing Gina); Tony alienates Elvira; both Manny and Elvira leave Tony alone.
|
|
188 Stage Hero's Journey (Monomyth): Cast Out
The antihero's fate is to be cast out of the world he has fought so hard to be a part of. One reason is that even the dark world has rules and the antihero, being an antihero, is destined to break them. In Scarface (1983), the restaurant throws him out because he doesn't behave himself. In Goodfellas (1990), Henry is cast out by Frank because he deals in drugs.
|
|
188 Stage Hero's Journey (Monomyth): Belly of the Whale (aspects of)
In the Belly of the Whale, the hero must do what he needs to do, learns what he needs to do, practices what he needs to do or similar. He engages in that act will serve him or send him to the Road of Trials, where his Old Self will dissolve away. He is preparing for the dissolution of the Ordinary Self. Then he makes the physical crossing where all routes back are cut off - there is no going back.
|
|
188 Stage Hero's Journey (Monomyth): Significance of the Sword
Once attained, the hero experiences a number of things. First, the Joy of Infancy Regained. Second, an enlightenment (expansion of consciousness) often demonstrated by new knowledge etc. Third the bride (conquest of the romantic challenge). Fourth, a new capability (demonstrating the New Self).
|
|
188 Stage Hero's Journey (Monomyth)- Hero's Journey- Various Suspects
Explicit scenes further establish potential suspects. The link between the detective hero and the deceased is developed, thus further establishing that the hero could have been the murderer. [If the hero was sexually linked to the deceased's wife, this is developed. She suspects him; her actions enhance his cynicism about her and women in general]. In The Maltese Falcon (1939), Miles’ wife visits.
|
|
188 Stage Hero's Journey (Monomyth)- Hero's Journey- New Self
An incremental change is made explicit. The detective hero advances to his New Self a little. A tangible element of the Old Self is lost. In The Maltese Falcon (1939), Sam wants precious to get rid of Miles' desk and change the sign on the door.
|
1 |
2 |
3 |
4 |
5 |
6 |
7 |
8 |
9 |
10 |
11 |
12 |
13 |
14 | 15 |
16 |
17 |
18 |
19 |
20 |
21 |
22 |
23 |
24 |
25 |
26 |
27 |
28 |
29 |
30 |
31 |
32 |
33 |
34 |
35 |
36 |
37 |
38 |
39 |
40 |
41 |
42 |
43 |
44 |
45 |
46 |
47 |
48 |
49 |
50 |
51 |
52 |
53 |
54 |
55 |
56 |
57 |
|