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Writing and Speaking
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Autobiography: Installment No.4
Anyone who has actually read the first two volumes deserves a prize for having come this far. If it is any comfort, you persistent few have got through more than half of the conceptual space where identity and meaning meet around the three themes of my life, my society and my religion.
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Professional Translations
World is soon turning into a global village where personal and business transactions are not limited to people of one country. People have realized the importance of professional translations to understand global markets and trends, as not all countries speak the same language. Lack of knowledge of a language implies missing out on huge opportunities offered by the expanding global market.
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188 Stage Hero's Journey (Monomyth): Characters and Archetypes
Characters and Archetypes
Though not critical, it is useful to keep in mind the concept of the loop, which is most often used to neatly close a story (which does not necessarily mean that all challenges are resolved). The very first sequences link to the very last.
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188 Stage Hero's Journey (Monomyth): Woman as Temptress
The Hero is often (but not necessarily) tempted into the Night Sea Journey by a female. In Gladiator (2000), Lucilla persuades Maximus to go along with the plan. In An Officer and a Gentleman (1982), it is Paula's secret that causes Zach to disappear. In Jason and the Argonauts (1963), it is Medea that leads Jason to the King.
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188 Stage Hero's Journey (Monomyth): Disgust With the Self
Disgust is a core part of the Refusal, post the Ultimate Boon. The Hero (or major character) is disgusted by what he (or she) has become or was. It is a reaction to the Transformation so far. In Bonnie and Clyde (1967), Blanche regrets the path she has chosen.
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188 Stage Hero's Journey (Monomyth): Fear of the Return to the Ordinary World
The Hero - willing and unwilling - often lives in fear of the return to the Ordinary World and the Ordinary Self. In Star Wars (1977), Luke never wants to go back to Tattooine. In Bonnie and Clyde (1967), Bonnie wakes up afraid that Clyde is not there. Even seemingly unwilling Heroes do not return to the same place - the Journey has given them a new capacity and transformed them into a New Self. In The Shawshank Redemption (1994), Andy does not return home but goes to Mexico.
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